Category Archives: inspiration

LOVE IN ALL IT`S SPLENDOR

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How do you see  love and being loved?

I have always been a person that was hungry for love, to give love and to be loved. Since I can remember the idea that I had of love was like a Hollywood movie, full of drama, romance and high emotions at all times.

With my experiences in my relationships, I think I attracted willingly my idea of love but was it ever so draining and tiring.  Living at a constant state of powerful emotions, I love you, I hate you, fighting and making up. The middle was never an option for me, I didn`t even realize that I did have this option available because my perception was not real, romantic novels and movies are not real life. As a true romantic I needed to change my perception and my definition of love.

 

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First came the notion of self-love

With experience comes knowledge and wisdom for all of us and we can choose to repeat old patterns and expect different results but we can also chose to change our patterns and truly receive different results in every area of or life. We can choose to be a victim or the take responsibility for what we have co-created.

My idea of love changed completely and the more I started to honor myself, to love myself, to understand my being, my essence. To nourish my values, my commitments and my dreams. The less I needed to find someone to complete me because I felt complete on my own. The less I searched for love outside of myself. It was all and always was present from within, self-love simply needed to be nourished by encouraging it in my daily practice. I made a clear decision to divorce emotionally and mentally my past relationships and to start practicing new ways of love. This extended in my life, in all of my relationships, family, friends and even work. It has even extended in how I treat my home my things, the productivity of my work and with love we plant seeds, with nourishment we allow things to grow, with care we obtain results.

 

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How I define love now

Love is acceptance, love is patience, love is respect, love is choosing your battles, love is space, love is peace, love is being responsible for you own happiness, love is sweet, forgiving and humble because none of us are perfect and we are all here to learn from our journey on this earth. Love is understanding.

Don`t love like a beggar, love like a king or a queen. What I mean by this is love with elegance, kindness, courage, intelligence, composure and deliberation so the person you are with knows where they stand. No one can guess what you are feeling or thinking so be open and communicate with ease and peace.

Love is taking responsibility for your own insecurities and working on theme so they do not consume your relationships. Love is not blame, it is not using someone’s vulnerabilities as ammo. Words are powerful and they cannot be taken back.

Never settle! You are deserving just like any living creature on this planet.

I send all of you love and hope you enjoyed this article. Please feel free to send me your opinion’s on this subject.

Mélika Emira Baccouch

DIVINE UNIVERSE

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Amphitrite

 

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I want to live in this world that artist Mariano Peccinetti has created out of pure creativity. A world where people realize that there is nothing more perfect then nature. No decor or material, designing all the decor around the universe and nature.

Find more of Mariano Peccinetti’s work on his blog and if you would like to support this artist you can buy his work in different forms on this link

society 6 an artist collective finding creative ways so that the work can still have a life and a use. Beauty is magical because it makes people happy!

I hope you all enjoyed and have a lovely day.

Love love love

Melika Emira Baccouche

http://trasvorder.tumblr.com/

 

 

 

 

 

SOFIA BONATI

 

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I’ve set up a collage of my favorite pieces of Sofia Bonati’s paintings. I simply love the sentiment I get when looking at these.

So beautiful and etherial, you can find the link for this artiste at the end of this blog.

Enjoy the art!

LOve love love!

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https://society6.com/sofiabonati

 

 

 

 

 

 

 

Silviana Avila’s Magical World!

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I found this amazing artist online and fell in love with her work. She has such a raw style and talent!! I hope you enjoy the eye candy and the intention behind her beautiful and wonderful work.

Here is a little bit about her:

Hola! My name is Silvana. I’m a freelance illustrator & designer actually based @ San Cristóbal de las Casas, Chiapas México.Welcome to my personal blog! here I recordsome events and thoughts, my drawingsand my design work. More. I’m passionate about creating images with beauty, warmth and positive values, that’s the way I want to make a little difference to achieve a positive change in humanity today.  
I love everything about color, I’m in love with the golden rule and beautiful type. I like simple objects, exotic music from around the world, very good and strong coffee, fresh flowers and pretty paper.

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These works make me feel like my heart is eating coton candy!!  You can find more her work on her blog

http://holasilvana.blogspot.mx/

 

Anna Lomax The Queen Of Kitsch!!

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Anna Lomax

Maker and collector, working within the field of Creative Direction and Set Design from still life through to large scale sculptural installation.

Born and bred in South London and currently working in East London, fascinated by the bizarre and off-key, pop-culture, folk art, pound shops and collecting. Intrigued by inventions, colour, movement and scale. Celebrating a sense of playfulness and humour through placing unlikely objects, textures and colours in to new environments.

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JIM O RAW COOL ART

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James O’Raw is a screen print artist based in East London. He works inbetween London and Birmingham where he is a member of Birmingham Printmakers Studio. He works closely with ‘People of Print’ and specialises in CMYK process printing using fluorescent inks and glow in the dark pigments. James is one half of Bridge Unltd which is a t-shirt printing company who use eco friendly discharge inks.

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http://printclublondon.com/artist/jim-o-raw/

Mademoiselle Non!

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The legendary one-time étoile ballerina of the Paris Opera Ballet turned avant-garde dance master Sylvie Guillem has worked with some of the greatest choreographers of the modern age, and this week she appears in a unique collaboration with three of the most eminent: Mats Ek, William Forsythe and Jiří Kylián. 6000 Miles Away is already being hailed as a masterpiece by insiders and it promises to be a transcendental masterclass in the language of dance from the 45-year-old dancer famed in her youth for a rebellious streak that earned her the industry nickname Mademoiselle Non. In person the CBE-holding dancer is as formidable in character as her lean, toned muscular body, although her eyes and quick smile belie a profound depth of humility and humanity – after all, this is a woman who has shunned celebrity her entire life, despite being widely considered one of the greatest artists of her generation. In this rare interview with John-Paul Pryor the revered boundary-defying dancer and choreographer discusses her drive, her discipline and her penchant for saying non.

What would you say drives you to continually push yourself in your art form?
I think it comes from my personality. I’m still a kid trying to be astonished by things. I have kind of this curiosity to learn, and I’m always learning something new. It’s always about putting myself in danger – putting myself in an uncomfortable situation for a while – and that’s very rewarding because it’s always a step forward. I am used to a routine and discipline as well, of course, because that’s the base of what I do, but if I was not able to go out of that or to use it as a springboard then I would be bored. My problem with dance is that it can follow a recipe that is very efficient but it is only a recipe. In that instance, it will be good but it won’t be excellent – it won’t be exceptional, it won’t be extraordinary.

What made you leave classical dance and move towards the avant-garde?
I have had quite a long career and for a while I was kind of dependent on the image I had, and the specialty I had, so I was responding more to demand. Once I had done everything I had to do in classical, I decided that I could spend more time on going towards people, and I wanted to do that more than doing something that I was trained to do. That’s what drives me – to go towards people and to spend time with them, giving them the opportunity to really understand that I am open to a lot of things, and that I really want to discover what they have to teach me.

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You’ve worked for some incredible choreographers, – what’s the push-and-pull like creatively between the choreographer and the personal expression of the dancer?
It depends. Some choreographers like a lot of involvement and improvisation – a lot of proposition. Then you need to really put yourself in danger to show an opinion; show a will to try things that might not be accepted. Others have a very particular idea, and in that case you step more towards their idea of things. With Billy (William Forsythe) it’s a lot of exchange – a lot of participation, a lot of involvement physically and mentally because it’s quite complicated choreography. When you work with Matts it’s more about his way of saying things and doing things, and you are translating that into physical shape… into a shimmer. They are different but what they have in common is that it’s their own thing. That’s what I’m looking for – people who have their own way of saying things. You can meet a lot of choreographers with this or that award, but when you look at what they do, it doesn’t talk to you, doesn’t say anything, doesn’t go anywhere – it has no vision, no special language.

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Without that vision is it impossible to transcend into something truly profound?
Well, the work has to be personal, otherwise there is no involvement – you are not there, you are just reproducing something that is not yours, and you are not yourself when you are doing it, so, what is the point? It might be very nice to look at but there is no going towards someone, and no one will receive it. There is no exchange with the audience if it’s not personal, if you don’t have your identity in it. Honesty is really a pure thing and on stage who you are as a person comes across so much. Whether you are doing classical or modern dance, it’s about your choices – your choices of how to do things, how you find your information, how far you go into the work, how far you push the discipline, how much you fight against limits.

Why do you think society so readily applies the term rebel to people who do their own thing?
It’s a very easy sticker to put on someone. In the field I was involved in when I was young the discipline is so hard and there is a kind of a code, and everything has its role inside the box, but to be able to follow that and to be happy within those constraints – those rules – you need to be driven by your dream. I was never driven by a dream. I was never driven by being a ballerina and that gave me a wider opportunity of choices. The Paris Opera Ballet became an open door for me – it was not an arrival point, it was the departure point. The rules that were ruling that system were not for me – what was important to me was that I was experimenting. I had a strong instinct, and was kind of animal in my reaction when someone was telling me: ‘You have to do that!’ If for me it was not relevant or had no purpose I was like, ‘No. I’m sorry. If you want me to do that only then take someone else because I won’t be happy.’ It was already the start of me making a choice. That’s when I started to have problems because a dancer is usually a quite disciplined person and when you ask her to do something she does it. But I realised very early that I did not have a lot of time and I didn’t want to lose time doing things that didn’t matter to me. That’s why I started to say no to things, and for the classically minded people it’s not the way to do things – so, to them you are a rebel.

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https://www.youtube.com/watch?v=QmMaNQBED8Q

http://www.anothermag.com/art-photography/1204/sylvie-guillem