In the mid 1960s Raysse’s work developed around a number of recurrent themes; in particular he concentrated on the contours of aportrait, a mouth or an eye, repeating them endlessly using all kinds of visual formulae, and drawing on the most diverse types of materials.
He gave up his pictorial explorations in the atmosphere of the events of 1968 in France. When he returned to painting, his work had undergone an important change. Little by little he moved away from the urban world towards a return to nature, a bucolic ideal of a gentle and calm community with reminiscences of Poussin and of mythology. He used pastel and tempera to depict timeless magical or fantastic scenes, anticipating the vogue for mythological subjects that appeared in the work of other painters in the 1980s.
Here is an outline of his beautiful work for my beautiful humans
Sending LOVE LOVE & more LOVE
Mélika Emira Baccouche